To mark the 100-year anniversary of Dylan Thomas’ birth, Wales – or, more accurately, the BBC – has been gripped with an attempt to align the poet’s life and work with the country of his birth. There is nothing untoward about this initiative in itself – anniversary-governed programming plays a huge role in the BBC’s arts output – but the tying of Thomas to Wales and its national and cultural identity doesn’t quite work here, and belies a quiet desperation to inject a dose of nationalism into a subject that doesn’t quite warrant it.
To kick-start the promotion for their upcoming eleventh studio album, the Manics have just released the new record’s title track, ‘Rewind the Film’. It’s a great song, and the addition of Richard Hawley is a perfect touch, but the real emotional weight lies in the accompanying video. The film depicts a day in the life of Trehafod in the Rhondda Valley, and is described by Michael Cragg in The Guardian, somewhat brazenly and patronisingly, as ‘[following] an elderly man around a dilapidated village, before he and the locals enjoy a cheery game of Bingo.’